I wrote this piece as a part of Write Now, a 48-hour flash fiction writing contest for University of Iowa Alumni, and was selected as a finalist. I hope you enjoy it.
My grandmother’s hands are veined tributaries of deep, blue memory, as warm as her famous Sunday dinner rolls, as even and steady as a taut clothesline. Whenever I visit, I make sure to hold them at least once, while we’re sharing a pot of tea, or during our afternoon walk, or when we’re cleaning the dishes.
That connection makes me feel safe; it always has, since I was a small girl, when she would run her hands across my back until I fell asleep. Now a woman myself, I nurture a longing for that connection again, to sleep away the world’s problems on her couch, wake to the small sounds of chores, the clink of plates stacking in the cabinet, the spray of an aerosol cleaner against a dusty surface.
Uncle Leroy’s bare arm was pressed against the vinyl seat cushion for so long that when he unstuck himself to stand and deliver Cousin Darryl’s eulogy, the creases that remained were shaped like the design on a fresh-opened pat of butter. But what could you expect, wearing a cutoff shirt to a funeral? We tried telling him each time we had one of these damn things (the number was getting up there now) that they were supposed to be places of respect, but he always responded that Cousin Darryl (or Sister Patricia or Grandma Diane or Toothless Jim, whoever might be sunnyside up in the casket that week) wouldn’t have gived one fuck what he wore. He had stumped us there, so we let him dress how he pleased.
Hell, he’d likely be laid to rest sleeveless—and soon, by the look of him—so we took the whole ordeal as a premeditated dress rehearsal. Today, for added style, he wrapped a tie around his neck (knotted that fucker, all right, just like you’d tie a noose) and let it hang between his apish tits like a pendulum counting down his final days. It featured a selection of music notes cascading out of a trumpet, overlaid on a pastel gradient. Nobody knew where the hell he got it, but there was something about how it clashed with the dirt and grease stains on the rest of him that made it work.
[This post is an homage to my college creative nonfiction classes, where we were asked to write a string of sentences that all begin with “I remember…” It’s such a great exercise to get you in the mood for writing, especially nonfiction. The exercise is based on Joe Brainard’s book of the same title (1970). Feel free to comment your own I remembers.]
I remember the dusty hayloft and rickety ladder, and the abandoned pile of horseshoes found beneath the hay.
I remember the adult-sized tricycle Natalie gave me before she died. I pedaled it up the hill and down the small gravel path that led to the cell phone tower, where I sat and watched the sun rise.
I remember when the chain rusted and snapped and the brakes stopped working and how I took the bike back to Natalie’s house in the middle of the night without telling her parents it was me who had it in the first place and how I never went back there again.
I remember bokchoy in oyster sauce, and sneaking kisses while his father watched the Peking Opera on the couch.
I remember inerasable red rings around our mouths from drinking fruit punch from plastic jugs in the sweltering heat.